The exhibition panel, "Frieze-X", was an atempt to throw off the design traits of the influential German glass pioneers. The glass painting was spontaneous and reflects aspects of the artist's life at the time. The circular section shows glimpses of the cosmos, biology, and nature, and the horizontal bands reference current life - like a bicycle (transport to the studio), a kangaroo (recent studies in Australia), and horseshoe nails (used in construction of leaded windows).